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Brand New Super 35mm Camera – LOMOkino e LOMO kinoscope

Genial, um maravilhoso look e com direito a um Fast Motion saudoso.

LOMOKINO SUPER 35

The LomoKino
- Lomography in Motion

Bringing analogue back to the movies with a bang in the 21st century, the LomoKino is a Lomography movie camera that shoots short, creative movies on 35mm film

Uma idéia incrivelmente simples e com direito a toda uma família de filmes e 2 opções de bandeja de scanner .

The LomoKinoScope

Available in the LomoKino & LomoKinoScope Package, the LomoKinoScope viewer allows you to watch your developed LomoKino movies in the most analogue way possible – Just load your movie rolls into the film containers, put them in the LomoKinoScope, rotate the viewing crank and watch your LomoKino movie unfold before your very eyes! Read the LomoKinoScope guide below and order your LomoKino & LomoKinoScope Package for the complete analogue movie-making experience.

Confiram maiores detalhes no site do fabricante.

http://microsites.lomography.com/lomokino/

Olha que look lindo!


RED Scarlet Finally a.k.a SCARLET X

Scarlet-X

Mesmo Sensor da EPIC
Mesma DR ( Latitude)

Mysterium-X S35 sensor

5K stills
4K motion

Scarlet resolution:
5k (stills) 12 fps burst mode
4k at max 30fps
3k at 48 fps
2k at 60fps
1k at 120fps

Same Epic sensor
Same dynamic range
Lower data rate
More compressed

SPECS…
Scarlet-X data rate- 55MB/sec. (440Mbit/sec) REDCODE RAW.

Scarlet-X ships with the Brain, Side SSD and a newly designed aluminum Canon mount.

Price for Scarlet-X, including Brain, Side SSD and Canon aluminum mount (auto-focus support) is $9,750 if ordered before December 31st, 2011. After Jan. 1st, 2012 the price for Scarlet will be $9700 for the Brain only.

Scarlet-X with a Ti PL mount (add $1500) will begin shipping November 17th. Scarlet-X with an aluminum Canon mount will begin shipping December 1st.

FAQs

The Bomb Squad will be buried for the next week or so… so please expect delays. We would encourage you to read the FAQs (we will update) and try and resist the temptation to call in unless you have a question that we can’t answer here.

When will Scarlet-X begin shipping?
Dec 1st, 2011 for Scarlet with aluminum mount. Orders for Scarlet with a Ti PL mount will ship November 17th. Add $1500.

Are there any considerations or discounted packages for RED ONE owners on Scarlet-X?
No. RED ONE owners have special consideration for EPIC upgrades only.

How can you offer Scarlet-X at this price when EPIC is so much more?
Data rates and processing power. ASICs that weren’t fast enough for EPIC… just became a gold mine for Scarlet.This, and board component reduction, allows us to lower the data rate throughput and significantly reduce our costs over volume.

Why can’t I shoot 24fps 4K HDRx?
Data rates and processing power. *We are working on a future version of HDRx with modified compression to enable this possibility. It will be a firmware upgrade and free.

Can Scarlet-X be upgraded to the new Dragon sensor when it is released?
Yes. However the upgrade will be more expensive than upgrading an EPIC due to the necessity to change several primary boards. There will still be data rate limitations to Scarlet after the upgrade as compared with EPIC.

When will the Dragon sensor upgrade be available?
2nd half of 2012.

Will I be able to get RED Armor extended warranty for SCARLET-X?
Yes, RED Armor will be available for SCARLET-X for $1500.

Will firmware upgrades be free for Scarlet-X as they are for EPIC?
Yes.

Does Scarlet have the same native dynamic range as EPIC?
Yes.

Will all features be enabled in Scarlet-X when it ships?
No. We will continue to add features as time goes on, some of which were never expected. Scarlet-X feature additions and improvements will happen simultaneously with EPIC.

Will there be a different REDCINE-X Professional for Scarlet?
No. REDCINE-X Professional works both EPIC and Scarlet-X files seemlessly.

Will all EPIC Modules work on Scarlet-X?
Yes.

Are there any modules that are specifically for Scarlet-X?
No. EPIC and Scarlet share exactly the same accessories.

Since Scarlet-X has a lower data rate, does it burn less power and have greater battery life?
Yes. More than slight and less than a lot.

Does Scarlet-X have the same user-interface as EPIC?
Yes. They are brother and sister.

Is the side SSD module on Scarlet the same as the one on Epic?
Yes.

Will the Ti PL Mount and Ti Canon Mount work on Scarlet?
Yes. All mounts for EPIC work with Scarlet. Everything in the EPIC/Scarlet system is interchangeable.

Can I upgrade to the Ti Canon mount or Ti PL mount instead of buying the Aluminum Canon mount?
Yes. You just pay the difference in price. And it will not hold up your order. Actually, it will ship 1st because we have a supply of Ti PL mounts.

Will anything be is short supply when I order my Scarlet?
Yes. Side Handles, REDmote and EVF. Any delay in Scarlet is most likely to be caused by the Canon aluminum mount.

When will you get production of all parts up to reasonable levels?
February. We have spent a ton of energy to get out of back order status. The team has targeted February as the “end of pain” month.

How much does Scarlet weigh?
Exactly the same as EPIC.

Will Scarlet have Playback enabled?
Yes. Playback is being released before shipping.

Maiores Informações : www.red.com

Disponível na DCINE a partir de Dezembro de 2011
Cheque disponibilidade em :

www.dcine.tv

atendimento@dcine.tv

55.11.55498419
55.11.78697931


Canon EOS C300 & C300 PL Cinema Cameras

Momento interessante para a Cinematografia Digital em 2012

The following is a press release from Canon Inc. and Canon USA:

Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today’s motion picture industry. The camera, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Cinema Camera*, equipped with an EF lens mount for compatibility with Canon’s current diverse lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens lineup; and the EOS C300 PL Digital Cinema Camera, with a PL lens mount for use with industry-standard PL lenses.

The introduction of the EOS C300/C300 PL coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.

Star-Studded Supporting Cast

Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300′s peripheral illumination correction automatically corrects for vignetting in accordance with each lens’s optical characteristics, and enables iris control from the camera. Canon EF lenses also enable the recording of such metadata as the name of the lens used, aperture setting and shutter speed.

Show-Stopping High-Resolution Full-HD Performance

The Canon EOS C300/C300 PL’s newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.

Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon’s high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.

In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of “jaggies” at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camera supports the recording of high-quality video.

The camera’s video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.

Ready for Action

With a compact body design measuring 5.2 (w) x 7.0 (h) x 6.7 (d) inches, the Canon EOS C300/C300 PL delivers exceptional maneuverability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camera can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.

The camera is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.

The new camera allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.

Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5x made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps) can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.

Pricing and availability

The Canon EOS C300 (EF mount) digital cinema camera is scheduled to be available in late January 2012 for an estimated list price of $20,000. The Canon EOS C300 PL (PL mount) digital cinema camera is scheduled to be available in late March 2012 for an estimated list price of $20,000.

www.canoncinemaeos.com

Veja vídeo feito com a C300 por Vincent Laforet:

Mobius

Veja Making Of de “Mobius”

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“CORES” – Primeiro Longa metragem rodado de EPIC no BRASIL

O Longa fotografado pelo querido Alziro Barboza, escolheu a EPIC M da DCINE para debutar em 5K 2.40:1 nas telonas.
Confiram maiores detalhes ao longo do processo aqui ou no site da Kinoosfera Filmes.

Uma Produção da 19 e da Kinoosfera, com direção de Francisco Garcia.

atendimento@dcine.tv


EPIC M na DCINE

A tão esperada câmera que está rodando os Big Budgets americanos e se tornou a queridinha de Hollywood chegou mais cedo por aqui.
Entre em contato conosco e reserve já.
55.11.55498419
55.11.78697931
55.11.78697930
atendimento@dcine.tv